I’ve been watching more movies lately as I’ve shifted from sewing to knitting in the evenings, at least on the evenings there is no adult conversation to be found. My most recent flick was Life is Beautiful, recommended to me by Netflix. . .and recommended to you by me. My Italian is limited to buon giorno, arrivederci, and the names of my favorite pastas, so I went for the dubbed English; if I hadn’t been knitting I might have watched the original Italian with English subtitles.
The storyline is neatly divided in two parts. The first half is a romantic comedy set in late 1930s Italy, with the struggling waiter Guido meeting the “princess” Dora quite by accident. He falls in love with her and manages to create future accidental meetings until the feeling becomes mutual. With the advantage of hindsight, it is clear that the story takes place on the eve of World War II, although it is well into the movie that we find out Guido is Jewish.
Several years pass offstage, and now Guido and Dora are married with a young son named Joshua. Guido finally has his own bookshop, but the effects of the war are seen everywhere. . .except in Joshua’s eyes. Even when Guido and Joshua are herded onto the train to the concentration camp, the father manages to create a sense of happiness for his son. He tells them that they are playing a game where points are tallied daily and the grand prize is a tank. Guido’s part is to work long and hard every day; Joshua earns his points by not complaining and hiding from the guards.
In reading reviews of this movie, it seems viewers either love or hate it. Some point out that real concentration camps were a far grimmer place, and that is true, but it is still clear the camp is not a happy place outside Joshua’s mind. Men and women are segregated, with the men spending their days in intense physical labor. The guards are stern and omnipresent while food is sparse. The children and the elderly, including Guido’s uncle, are lured to the gas chamber by promise of a shower soon after their arrival at the camp. But this movie is not so much about the atrocities of reality as it is about the alternate reality a father creates to protect his young son. And the lead actor’s comic abilities are well suited to do just that without trivializing the Holocaust.
